“Drinking until you feel like a piece of shit, feeling sad for no reason and losing your grasp on reality are all subjects that rear their head here,” he admits. The album’s title-track (“O.K.?”) sees him extending a hand to his bandmates, as he contemplates the excess Picturesque found themselves surrounded by on tour and the detrimental effect it had on the mental wellbeing of those within the band. Do You Feel O.K.? is the sound of a man taking stock and questioning what is to come next from life, but on top of his own experiences, Hollis found inspiration in the lives of those around him, too. The whole experience messed with my head.”Įmotionally drained and dismayed at the modern-day dating landscape, Hollis turned to music, with Picturesque providing the perfect outlet for him to articulate his feelings about an environment in which ghosting and casual hook-ups are commonplace. I wanted a relationship, but I quickly realised that I was looking in the wrong places.
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“Everything had changed so much being faced with platforms like Tinder was a shock to the system and I didn’t know how to navigate it. “After my last relationship ended––we’d been together for six years and were engaged––I got lost in the world of modern-day dating,” Hollis confesses. Do You Feel O.K.? is teaming with ideas, but on top of being a technical success, there’s an emotional core that ties its 11 tracks together. The intro to “Swipe,” meanwhile, is pure hip-hop escapism that eventually gives way to a titanic rock chorus. Combining Hollis and guitarist Zach Williamson’s love of Post Malone and Blackbear with fellow shredder Dylan Forrester’s metallic edge, songs like opening track “Necessary” and the melody-driven “ATTN:” are modern rock epics that pay tribute to the Picturesque’s post-hardcore roots, all the while showcasing a joyous eclecticism and fondness for more mainstream-friendly sounds. Do You Feel O.K.? radiates with a carpe-diem approach to songwriting fuelled by its creators’ desire to bring something new to the table. “Approaching Do You Feel O.K.?, we reached a point where we just thought, ‘Fuck it, we’re not going to box ourselves in––we’re going to focus on writing killer songs, no matter what they sound like.’ You can hear that attitude throughout the record.” “The first record was our take on 2009 post-hardcore, whereas this album is something new, and it’s a style of music I’ve not heard anyone else make,” he states. But whilst their distinctive musical approach remains, as Hollis outlines, there’s much about this album that’s very different to what’s come before. Three years on and following successful tours with Escape The Fate, Silverstein and Tonight Alive, Picturesque are back with new album Do You Feel O.K.?.
It was an album that introduced the band’s unique approach to songwriting and blend of heavy rock with pop sensibility, whilst it also showcased the star quality of frontman Hollis, whose impressive vocal range and melodic delivery enhanced the potency of Back To Beautiful’s songs. There was certainly a good deal of excitement when Picturesque burst onto the scene with debut full-length Back To Beautiful in 2017. If something works, we roll with it, and that makes the music abstract, off the wall and, more than anything, exciting.” “The genre of the songs we make doesn’t matter to us in fact, I’d go as far as to say they’re genreless––nothing we write is formed in the traditional way. “Quite frankly, I don’t care if people call us a rock band or not,” vocalist Kyle Hollis says. Born out of a post-hardcore scene that’s often characterized more by aggression than accessibility, the five-piece steadfastly refuse to be boxed or pigeonholed, and they’re set on embracing musical tropes not traditionally associated with heavy music. Kentucky natives Picturesque are another such band intent on doing things differently. Those leading the charge in the alternative scene––Halsey, Twenty One Pilots, Bring Me The Horizon, Yungblud––are blurring the lines like never before, colliding guitar-based music with pop, electro and hip-hop and creating sounds that defy expectation. In 2020, the concept of genre is almost meaningless.
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